Tagged: legendary
A Bedtime Story
My daughter hooked her arm securely around mine as I held her at my hip–a cripplingly cute mannerism of hers that melts me to my core every single time.
Vocalizing airplane sound effects, I made an extravagant production of swooping my giggling passenger down to the floor to pick up each member of the Hundred Acre Wood institutionalized as her Bedtime Crew, currently featuring Piglet (her go-to daytime stuffty) as well as Winnie the Pooh and Tigger (the night-shift support staff who allow for optimal snugglization).
Her teeth brushed and hands washed, she knew we were coming up on bedtime and began her nightly wind-down ritual: gripping Piglet and Company, sticking her beloved right thumb in her mouth, and embracing day’s end with open arms and heavy eyelids.
Our son, however–currently in his mother’s arms–was performing his own nightly routine: maniacal arm-flails punctuated by Oscar-worthy whines. Never ready to pack it in, he’ll dash for the playroom or point at the turned-off tv in a last-ditch effort to stay up just a little longer, to milk as much out of the day as possible. There are still so many blocks to stack, so many books to read, so many Sing-Along Songs to groove to.
And while his unrelenting desire to be awake can be burdensome, I don’t ever fault him for it.
He gets it from me.
An Open Letter to Elmo
Oh, hi, Loyal Readers! Welcome to Twinfamy’s World! John is so happy to see you, and so are John’s Twins.
Can you guess what John is thinking about today? That’s right–Elmo!
You know, Elmo!
John has been watching Sesame Street with John’s Twins for a few months now and John has learned a lot about Elmo, but John has noticed some things about Elmo that confuse John. Unlike Elmo, John has no self-aware drawers and doesn’t have a family of mimes lurking outside John’s window who are always waiting with a smile when “Shade” goes up, so John wondered how to find out more about Elmo’s Worldview.
Then, suddenly, John had a spectacular idea–John should write Elmo a letter!
Here is John’s letter to Elmo:
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Dear Elmo,
First of all, John wants to say that John is a huge fan of Elmo’s, and has been ever since John was just a little boy. John remembers when Elmo got his first big break on Sesame Street, starting with only a few special guest appearances, but look at Elmo now! Elmo is the star! Yaaaaay! Plus, whatever Elmo is doing to stay in shape must be working because Elmo doesn’t seem to have aged a day.
John knows that Elmo has haters who are angry about Elmo taking Sesame Street by storm, “stealing” the spotlight away from traditional Street Performers like Big Bird, Oscar, Bert, Ernie, and especially Grover, who–as a result of Elmo’s coup de cutest–has retreated into an even more deluded version of his Super Grover alter-ego, trying way too hard to make himself relevant by unnecessarily upgrading his superhero uniform to “2.0” status and constantly asserting himself as “cute” in a futile, passive-aggressive attempt to dethrone Elmo’s natural, organic cuteness. John will even admit to agreeing with the Anti-Elmo League for a while, but now that John is a Loyal Viewer, John gets it.
Super Grover 2.0 unleashes the power of overcompensation.
Elmo is a natural born entertainer. Eternal optimism, a curious thirst for life, and genuine care for one’s fellow monster make Elmo hard NOT to love–so much so that people are even willing to overlook Elmo speaking exclusively in the third person and avoiding pronouns except the occasional “he” when talking about Elmoself, in order to avoid a rapid-fire, five-“Elmo” sentence. (Did Elmo notice John is doing the same thing in this letter? John wonders if John can get away with it.)
In fact, Elmo is so captivating that John DVRs Sesame Street every day because John often finds the one way John and John’s wife can afford 15 minutes to eat dinner without shrieking banshee interruptions is by putting on “Elmo’s World” for John’s loinfruits. John realizes the “World” is really intended for older viewers, but John’s Twins just adore Elmo and always kick their little feet when they hear the “Elmo’s World Theme Song.”
Which brings John to the reason for this letter.
John knows that Elmo and John are friends because Elmo has told John so in numerous grand, on-air gestures, so since Elmo and John are friends, John feels comfortable asking Elmo just a few earnest queries about the “Elmo’s World Theme Song.”
See, Elmo, John is sure you realize how unbelievably catchy the song is. It was a runaway success in its first incarnation as “Elmo’s Song,” and as “Elmo’s World” has become arguably the Street’s most popular segment, the ditty has become engrained–tattooed even–in the consciousness of parents and children everywhere. John wonders if–when Elmo was writing the song–he acquired government funding for a team of musically-inclined scientists to discover the most irresistibly infectious permutation of notes possible, or maybe had Paul McCartney or Neil Diamond ghost-write it, or even is hiding a resurrected John Lennon somewhere on the set (Oscar’s can?).
John will pause now for Elmo to imagine Neil Diamond singing “Elmo’s World.” Legendary.
The B-Side could be "Elmo Am... Elmo Said."
John thinks Elmo should get on the phone with Elmo’s agent and make that happen.
Anyway, Elmo, John’s point is the song is addictive. While home with the Twins, John finds himself involuntarily and spontaneously belting out “Elmo’s Song” as if under a spell, and even writing and performing John’s own off-the-cuff verses.
But that’s not even John’s real complaint.
Elmo, John has issue with the lyrics.
La la la-la, la la la-la, Elmo’s World
La la la-la, la la la-la, Elmo’s World
Elmo loves his goldfish,
His crayon, too.
That’s Elmo’s World.
John thinks it will help if John breaks it down.
La la la-la, la la la-la…
Okay, now this makes sense. Not only does this hearken back to the old, classic origin of the song; non-word, sung syllables have proven to be an excellent avenue to a solid hook, as they are easy to remember and facilitate sing-alongs. Look at the beginning of J. Geils Band’s “Centerfold” and the climactic end of The Beatles’ “Hey Jude.” With this in mind, John is already singing along with Elmo after a single “La.”
…Elmo’s World
Next, Elmo illuminates his Loyal Viewers as to what is happening. Elmo is inviting Elmo’s Loyal Viewers into “Elmo’s World.” Elmo will assumedly proceed to describe what the journey into “Elmo’s World” will be like. Elmo is doing a great job so far!
Elmo loves his goldfish,
According to Elmo’s argument, the first phenomenon to expect in “Elmo’s World” is the love of a pet goldfish. Elmo still has John’s attention here, because this lyric also fits. It is no secret that Elmo loves Dorothy, and rightly so. John is not a big fish guy, but would convert if John had a goldfish who could generate aquarium sculptures with her fish-mind powers, too.
Dorothy fashions a massive-eared fish...with her MIND!
Where did Elmo get Dorothy? Does Dorothy have any relatives that John could adopt? Now, John could point out the rare use of a pronoun in this line, but that’s not a big deal. It would disrupt the fluidity, anyway.
His crayon, too.
There it is, Elmo–the problematic line, the one that keeps John up at night, wondering WHY? It’s definitely apparent that Elmo is a crayon enthusiast. In fact, Elmo’s entire house seems to be constructed from them. But Elmo, John never sees you actually use the crayon. John assumes that possibly, at some point, the crayon was used more frequently, but seldom does Elmo incorporate the crayon into “Elmo’s World” nowadays.
Elmo has already said that Elmo loves his goldfish–why not issue a shout-out to other entities in “Elmo’s World” who help Elmo every day? What about Mr. Noodle, his brother Mr. Noodle, and his sister Ms. Noodle, who realize they are not very bright, but still, every episode, try to answer Elmo’s questions, only to be met with ridicule from voice-over children?
He may not have much going on in his noodle, but he's a great sport.
What about “Drawer” who always helps Elmo learn more about what Elmo is thinking about? (Maybe Drawer keeps knocking Elmo over because Drawer is indignant.)
Because it’s a theme song, Elmo only has a short amount of time to encapsulate “Elmo’s World,” and the crayon simply isn’t part of it.
Then, Elmo, the song just ends.
That’s Elmo’s World
No, Elmo, it isn’t. That’s not “Elmo’s World.” Elmo implies that Elmo has summarized the World, but Elmo has only scratched the surface and wasted limited song real estate on a nonessential element.
John hopes this doesn’t upset Elmo, but John just can’t wrap John’s head around it, and because John still busts the song around the house as if in a musical, John is faced with this dilemma every time John sings about that darn crayon.
Please, Elmo. Don’t leave John hanging like this. Why is that line in Elmo’s song?
John has a feeling Elmo understands and thanks Elmo for hearing John out. John looks forward to Elmo’s response.
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Love,
John Pseudonymous
Author & CEO, Twinfamy
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That's Twinfamy's World.
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If not, John is still so happy to see you!
Born to Rock
With Month-Marker Eight looming in the not-so-distant future, I find myself in futile daydreams of Steampunk time-pausing/travel inventions allowing me to (re)experience the unfathomably amazing moments of The First Year. Even though I’m with the Dynamic Duo more than anyone, it never feels like it’s enough because I know this babyhood thang is temporary.
I’d prefer not to tritely say “They grow up so fast” (even though it’s SO true), so I hereby submit a far greater phrase for nation-sweeping candidacy: “They grow up faster than a Red-Bull-guzzling cheetah in a Lamborghini on the Autobahn with his pregnant, twin-carrying cheetah wife going into labor.”
Go ahead, picture that for a minute. Man. Now that’s fast.
Even faster than Cameron Crowe's diligently-documented Times at Ridgemont High.
Coping with Age Velocity is common among parents, and I’ve found my personal remedy to be occupying as much hard drive space as possible with photos and HD video, immortalizing epic Twincidents on this fine publication, and simply being present. I’m as guilty as anyone of distracting myself with social media and my beloved television shows, but when I weigh reading Facebook statuses about going back to work again or pictures of meals people for some reason feel compelled to broadcast against snuggling my offspring or cracking them up to the point of hiccups with stupid human tricks, it’s a pretty easy decision.
Due to the recent addition of raptor-sharp teeth to Thing 1 and Thing 2’s mouths and their growing interest in non-cannibalistic foods, the Breastfeeding Buffet has officially closed up shop. It was a difficult journey for my wife, especially to feed twice the usual mouth quota with absolutely no experience, and I’m so unbelievably in awe of her resilience and desire to fill our Twinfants with the Breakfast, Lunch and Dinner of Champions. Now that it’s over, I know she feels like a layer of connection is missing between the munchkins and her, but it’s getting better as we’ve watched them exponentially blossom with the acquisition of new essential life skills such as playing toy pianos with one’s heel, biting one’s sibling’s toes, and escaping the clutches of a diaper-changing table at all costs.
So, as Cafe Mommy throws in the towel, pump, and Boppy, I’d like to commemorate its months of legendary customer service with a testimonial from our daughter.
But it’s not a verbal testimonial. It’s far greater.
Every night, just before bed, my daughter would get into her feeding groove, her eyes gradually closing as if losing herself in a shoegaze indie jam. And that’s when my wife and I knew it was coming.
The Pete Townshend Windmill.
That’s right. Believe it or not, with her mouth still firmly attached, our daughter would swing her arm just like the legendary guitarist of The Who. She’d do a few semi-circle warm-ups, and then rock out to the thumping of Mommy’s heartbeat.
How do I express to you, O Loyal Reader, the sheer awesomeness of this occurrence? My already-mind-blowingly-cute daughter…taking after my musical hero…PLUS BOOBIES!
Are you kidding me?
I will concede that her arm did not always travel as quickly as Pete’s. However, one particular adaptation of this iconic gesture is a dead-on representation of her breast-milk bliss–the future Wyld Stallyns fans in Bill and Ted’s Excellent Adventure.
I may not have a time-traveling phone booth at my disposal, but I’ll still always be able to return to my daughter’s air-band performances in my mind’s eye, and, at least to me, Woodstock’s got nothing on them.
Townshend was not available for a comment, but it is said that he is only interested in discussing His Generation anyway.
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If not, maybe you can invent a time machine and get that time back. If you do, let me know. I’m in the market for one.
Twinfamy 