“Did you see that link I sent you today?” my wife inquired, placing a bottle of freshly-pumped breast milk in the fridge.
I looked up from the boob-funnels I was washing in the sink as bewildered as the seventh graders I’d stumped similarly all day, searching my exhausted mind for the answer. At four months old, the Twins were still rarely allowing us more than three hours of continuous slumber, making us bumbling idiots more often than not.
“I’m sorry, which link? Remind me.” Having vaguely drawn the line between today and other days in my sluggish mind, I could now narrow the possibilities to 3-4 links, as my wife sends me multitudes of information daily, ranging from infinitely fascinating to a notch above “waste of time,” but much more often the former.
“That stay-at-home dad article. From the newspaper.”
“Oh, right, that one. Yeah, I did.” Since our recent decision for me to quit teaching for stay-at-home fathering and Ph.D.-ing, my wife had taken to sending me SAHD resources during the workday, partly to show me there were lots of dads in my situation and partly (as I learned months later) because she was secretly terrified of me being in charge and was covertly boot-camping me up to snuff. This particular article was one of countless SAHD-penned rants about how when out in public during work hours, people don’t often understand why the kids are with their father, asking such intelligent questions as “Are you on vacation?”, “Where’s their mother?”, and even “Did you lose your job?”
“What’d you think?” my wife prodded.
“I don’t know. It was all right.” I gently adjusted the Baby Bjorn strap so as not to wake the napping son ornament on my chest. “I guess it was kind of funny, but not all that different from stuff already out there.”
“True,” she overemphasized, and fell silent.
Huh. That was weird. Where’s she going with this?
“You know,” she continued. “You could do better.”
I was already mourning the morning walk.
Before we’d even traveled a block my dog had decided to lead the caravan, walking directly in front of the jogging stroller, her hindquarters mere inches from the front wheel. I don’t know why she insists upon this walking arrangement–maybe she likes to think she’s in charge–but(t) it never “ends” well for her, typically culminating in me literally running her ass over. It begins when she looks back at the stroller and decides she is terrified of it, so terrified that she freezes in place, causing the usually-taut leash to slack and wrap around the stroller’s back axle, putting us at a dead stop just after the tire bumps her square on the cheeks. I do my best to stop before the butt-bump, but she forces me to tailgate her at an unsafe following distance.
On this particular day, she had jumped to deer-in-headlights mode so abruptly and forcibly that it had pulled her harness clean off. (We attach the leash to her harness and not her collar because after years of scientific research, we have determined she would rather be choked to death than respond to leash tugs.) And because my dog just barely qualifies as obedient, I knew I had to act quickly on this leashless freedom unless I wanted to choose between:
1) chasing her around the neighborhood, loudly cussing her out while she thinks its a game, waking the Twins from their stroller catnaps and yielding a sterophonic meltdown; or
2) tritely employing the if-you-love-her-set-her-free-and-if-she-never-returns-she-was-never-yours axiom, which would most likely mean never seeing my beloved canine again, as she would surely make a grand exit from this life in Harry Houdini fashion while performing her famous freezing-in-front-of-an-oncoming vehicle trick.
It was in that moment that I remembered I am a ninja, as my keen, subconscious reflexes sprang into action, one-handedly snagging her by the tail, keeping the other hand firmly planted on the stroller.
She turned her head towards me, dumbly panting with glee, as if to say. “That was fun, Dad!”
Can you guess what John is thinking about today? That’s right–Elmo!
You know, Elmo!
John has been watching Sesame Street with John’s Twins for a few months now and John has learned a lot about Elmo, but John has noticed some things about Elmo that confuse John. Unlike Elmo, John has no self-aware drawers and doesn’t have a family of mimes lurking outside John’s window who are always waiting with a smile when “Shade” goes up, so John wondered how to find out more about Elmo’s Worldview.
Then, suddenly, John had a spectacular idea–John should write Elmo a letter!
Here is John’s letter to Elmo:
First of all, John wants to say that John is a huge fan of Elmo’s, and has been ever since John was just a little boy. John remembers when Elmo got his first big break on Sesame Street, starting with only a few special guest appearances, but look at Elmo now! Elmo is the star! Yaaaaay! Plus, whatever Elmo is doing to stay in shape must be working because Elmo doesn’t seem to have aged a day.
John knows that Elmo has haters who are angry about Elmo taking Sesame Street by storm, “stealing” the spotlight away from traditional Street Performers like Big Bird, Oscar, Bert, Ernie, and especially Grover, who–as a result of Elmo’s coup de cutest–has retreated into an even more deluded version of his Super Grover alter-ego, trying way too hard to make himself relevant by unnecessarily upgrading his superhero uniform to “2.0” status and constantly asserting himself as “cute” in a futile, passive-aggressive attempt to dethrone Elmo’s natural, organic cuteness. John will even admit to agreeing with the Anti-Elmo League for a while, but now that John is a Loyal Viewer, John gets it.
Elmo is a natural born entertainer. Eternal optimism, a curious thirst for life, and genuine care for one’s fellow monster make Elmo hard NOT to love–so much so that people are even willing to overlook Elmo speaking exclusively in the third person and avoiding pronouns except the occasional “he” when talking about Elmoself, in order to avoid a rapid-fire, five-“Elmo” sentence. (Did Elmo notice John is doing the same thing in this letter? John wonders if John can get away with it.)
In fact, Elmo is so captivating that John DVRs Sesame Street every day because John often finds the one way John and John’s wife can afford 15 minutes to eat dinner without shrieking banshee interruptions is by putting on “Elmo’s World” for John’s loinfruits. John realizes the “World” is really intended for older viewers, but John’s Twins just adore Elmo and always kick their little feet when they hear the “Elmo’s World Theme Song.”
Which brings John to the reason for this letter.
John knows that Elmo and John are friends because Elmo has told John so in numerous grand, on-air gestures, so since Elmo and John are friends, John feels comfortable asking Elmo just a few earnest queries about the “Elmo’s World Theme Song.”
See, Elmo, John is sure you realize how unbelievably catchy the song is. It was a runaway success in its first incarnation as “Elmo’s Song,” and as “Elmo’s World” has become arguably the Street’s most popular segment, the ditty has become engrained–tattooed even–in the consciousness of parents and children everywhere. John wonders if–when Elmo was writing the song–he acquired government funding for a team of musically-inclined scientists to discover the most irresistibly infectious permutation of notes possible, or maybe had Paul McCartney or Neil Diamond ghost-write it, or even is hiding a resurrected John Lennon somewhere on the set (Oscar’s can?).
John will pause now for Elmo to imagine Neil Diamond singing “Elmo’s World.” Legendary.
John thinks Elmo should get on the phone with Elmo’s agent and make that happen.
Anyway, Elmo, John’s point is the song is addictive. While home with the Twins, John finds himself involuntarily and spontaneously belting out “Elmo’s Song” as if under a spell, and even writing and performing John’s own off-the-cuff verses.
But that’s not even John’s real complaint.
Elmo, John has issue with the lyrics.
La la la-la, la la la-la, Elmo’s World
La la la-la, la la la-la, Elmo’s World
Elmo loves his goldfish,
His crayon, too.
That’s Elmo’s World.
John thinks it will help if John breaks it down.
La la la-la, la la la-la…
Okay, now this makes sense. Not only does this hearken back to the old, classic origin of the song; non-word, sung syllables have proven to be an excellent avenue to a solid hook, as they are easy to remember and facilitate sing-alongs. Look at the beginning of J. Geils Band’s “Centerfold” and the climactic end of The Beatles’ “Hey Jude.” With this in mind, John is already singing along with Elmo after a single “La.”
Next, Elmo illuminates his Loyal Viewers as to what is happening. Elmo is inviting Elmo’s Loyal Viewers into “Elmo’s World.” Elmo will assumedly proceed to describe what the journey into “Elmo’s World” will be like. Elmo is doing a great job so far!
Elmo loves his goldfish,
According to Elmo’s argument, the first phenomenon to expect in “Elmo’s World” is the love of a pet goldfish. Elmo still has John’s attention here, because this lyric also fits. It is no secret that Elmo loves Dorothy, and rightly so. John is not a big fish guy, but would convert if John had a goldfish who could generate aquarium sculptures with her fish-mind powers, too.
Where did Elmo get Dorothy? Does Dorothy have any relatives that John could adopt? Now, John could point out the rare use of a pronoun in this line, but that’s not a big deal. It would disrupt the fluidity, anyway.
His crayon, too.
There it is, Elmo–the problematic line, the one that keeps John up at night, wondering WHY? It’s definitely apparent that Elmo is a crayon enthusiast. In fact, Elmo’s entire house seems to be constructed from them. But Elmo, John never sees you actually use the crayon. John assumes that possibly, at some point, the crayon was used more frequently, but seldom does Elmo incorporate the crayon into “Elmo’s World” nowadays.
Elmo has already said that Elmo loves his goldfish–why not issue a shout-out to other entities in “Elmo’s World” who help Elmo every day? What about Mr. Noodle, his brother Mr. Noodle, and his sister Ms. Noodle, who realize they are not very bright, but still, every episode, try to answer Elmo’s questions, only to be met with ridicule from voice-over children?
What about “Drawer” who always helps Elmo learn more about what Elmo is thinking about? (Maybe Drawer keeps knocking Elmo over because Drawer is indignant.)
Because it’s a theme song, Elmo only has a short amount of time to encapsulate “Elmo’s World,” and the crayon simply isn’t part of it.
Then, Elmo, the song just ends.
That’s Elmo’s World
No, Elmo, it isn’t. That’s not “Elmo’s World.” Elmo implies that Elmo has summarized the World, but Elmo has only scratched the surface and wasted limited song real estate on a nonessential element.
John hopes this doesn’t upset Elmo, but John just can’t wrap John’s head around it, and because John still busts the song around the house as if in a musical, John is faced with this dilemma every time John sings about that darn crayon.
Please, Elmo. Don’t leave John hanging like this. Why is that line in Elmo’s song?
John has a feeling Elmo understands and thanks Elmo for hearing John out. John looks forward to Elmo’s response.
Author & CEO, Twinfamy
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If not, John is still so happy to see you!